Publications

Prof. Dr. Nadine Böhm-Schnitker

Monographs

Sakrales Sehen: Strategien der Sakralisierung im Kino der Jahrtausendwende. Bielefeld: transcript, 2009. (Dissertation)

Towards an Aisthetics of the Victorian Novel: Senses and Sensations. London and New York: Routledge, 2023. (Habilitation)

 

Editions

Neo-Victorian Trajectories of Wealth: Negotiations of Class and Material Inheritance. (Special edition of Neo-Victorian Studies; forthcoming; submitted articles in peer review).

Comparative Practices: Literature, Language, and Culture in Britain’s Long Eighteenth Century. Bielefeld: transcript, 2022, https://www.transcript-publishing.com/978-3-8376-5799-9/comparative-practices/

Neo-Victorian Literature and Culture: Immersions and Revisitations (with Susanne Gruss). London and New York: Routledge, 2014.

Spectacles and Things: Visual and Material Culture and/in Neo-Victorianism (with Susanne Gruss). Neo-Victorian Studies. 3.2 (2011).

 

Co-Translation

Gayatri Chakravorty Spivak. Kritik der postkolonialen Vernunft: Hin zu einer Geschichte der verrinnenden Gegenwart. Transl. Nadine Böhm-Schnitker, Doris Feldmann, Barbara Gabel-Cunningham, Christian Krug, Andreas Nehring. Stuttgart: Kohlhammer, 2013.

 

Articles

“Multiscalar Temporalities in Postcolonial Climate Fiction”. English Literature: Theories, Interpretations, Contexts 10 (Feb. 2024), https://doi.org/10.30687/el/2420-823x/2023/10/002.

“Traces of Memory and Perception in Samantha Harvey’s The Wilderness (2009) and Anne Enright’s The Gathering (2007)”. Reading the “Trace” in Modern and Contemporary Fiction. Eds. Rosario Arias and Lin Elinor Pettersson. Canterbury: Gylphi 2022, 109-126.

“Touching, Writing, Collecting: Opium Paraphernalia and Neo-Victorian Material Culture”. Neo-Victorian Things: Re-Imagining Nineteenth-Century Material Cultures in Literature and Film. Hgg. Brenda Ayres, Sarah E. Maier und Danielle Mariann Dove. Basingstoke und New York: Palgrave Macmillan, 2022, 67-89.

“Articulating Differences: Practices of Comparing in British Travel Writing of the Long Eighteenth Century”. Comparative Practices: Literature, Language, and Culture in Britain’s Long Eighteenth Century. Hgg. Nadine Böhm-Schnitker und Marcus Hartner. Bielefeld: transcript, 2022, 149-178.

“Comparative Practices in Britain’s Long Eighteenth Century: An Introduction” (mit Marcus Hartner). Comparative Practices: Literature, Language, and Culture in Britain’s Long Eighteenth Century. Hgg. Nadine Böhm-Schnitker und Marcus Hartner. Bielefeld: transcript, 2022, 7-24.

“George Eliot’s Realisms”. Realism: Aesthetics, Experiments, Politics. Ed. Jens Elze. London et al.: Bloomsbury, 2022, 41-59.

“Wilkie Collins, The Moonstone (1868)”. Handbook of the English Novel, 1830-1900. Eds. Monika Pietrzak-Franger and Martin Middeke. Berlin: de Gruyter, 2020, 367-80.

“Wire for You, Or: Telegraphic Tales and Articulations of Love”. And Thereby Hangs a Tale: A Critical Anatomy of (Popular) Tales. Ina Habermann and Christian Krug. Erlangen: FAU University Press, 2020, 75-92.

“Blood Streams, Cash Flows and Circulations of Desire: Psychopharmacological Knowledge About Opium in Nineteenth-Century Women’s Fiction“. Psychopharmacology in British Literature and Culture, 1780-1900. Eds. Jennifer Henke and Natalie Roxburgh. Basingstoke and New York: Palgrave Macmillan, 2020, 171-194.

“Neo-Victorian Re-Imaginations of the Famine: Negotiating Bare Life through Transnational Memory”. Neo-Victorian Studies 12.1 (2019), 80-118.

“Verwandlungen der Tinte: Außersinnliche Wahrnehmungen in Adaptationen von Wilkie Collins’ The Moonstone (1868)”. Verwandlungen: Vom Über-Setzen religiöser Signifikanten in der Moderne. Eds. Stefanie Burkhardt, Simon Wiesgickl. Stuttgart: Kohlhammer, 2018, 118-121.

“Sex and the City: ‘Vicarious Kinaesthesia’ in the Neo-Victorian Novel”. Transforming Cities: Discourses of Urban Change. Eds. Eckart Voigts, Monika Pietrzak-Franger and Nora Plesske. Heidelberg: Winter [a&e], 2018, 75-90.

“Adapting Victorian Masculinities: Oliver Parker’s Dorian Gray (2009) and Guy Ritchie’s Sherlock Holmes (2009)”. Victoriographies 5.2 (2015), 143-64.

“Discursive Entanglements of the Bildungsroman: Victorian Literary Criticism and Different Kinds of Bildung in Realism and Sensation Fiction”. Anglistentag 2014 Hannover: Proceedings. Eds. Rainer Emig, Jana Gohrisch. Trier: wvt, 2014, 287-300.

“Introduction: Fashioning the Neo-Victorian – Neo-Victorian Fashions” (with Susanne Gruss). Neo-Victorian Literature and Culture: Immersions and Revisitations. Eds. Nadine Boehm-Schnitker and Susanne Gruss. London and New York: Routledge, 2014, 1-20.

“Neo-Victorian Gay Fictions: A Critique of Stereotyping and Self-Reflexivity”. Neo-Victorian Literature and Culture: Immersions and Revisitations. Eds. Nadine Boehm-Schnitker and Susanne Gruss. London and New York: Routledge, 2014, 93-110.

“There Is No Such Thing as Political Memory!? The Iron Lady (2011) as ‘Psycho-Geography’”. Journal for the Study of British Cultures 20.2 (2014), 125-40.

“Scientific Cultures in the Nineteenth Century: Introduction” (with Philipp Erchinger). Anglistentag 2013 Konstanz: Proceedings. Eds. Silvia Mergenthal and Reingard Nischik. Trier: wvt, 2014, 3-7.

“Neo-Viktorianismus: Sherlock Holmes adaptiert”. Viktorianismus: Eine literatur- und kulturwissenschaftliche Einführung. Eds. Doris Feldmann and Christian Krug. Berlin: Schmidt, 2013, 167-80.

“Diskurse der (D)Evolution im Fin de Siècle: Robert Louis Stevenson und H.G. Wells”. Viktorianismus: Eine literatur- und kulturwissenschaftliche Einführung. Eds. Doris Feldmann and Christian Krug. Berlin: Schmidt, 2013, 127-39.

“Jasper Fforde im Gespräch mit Schau ins Blau” (with Susanne Gruss). Schau ins Blau (2012), https://www.schauinsblau.de/?article=jasper-fforde.

“Fremdheit und Entfremdung im zeitgenössischen schottischen Roman”. Phänomene der Fremdheit: Fremdheit als Phänomen. Eds. Simone Broders, Susanne Gruss, Stefanie Waldow. Würzburg: Königshausen & Neumann, 2012, 117-36.

“From Public Opinion to the Big Society: Modulations of Surveillance in the (Neo)Nineteenth Century”. Journal for the Study of British Cultures 19.1 (2012), 29-44.

“Introduction: Spectacles and Things – Visual and Material Culture and/in Neo-Victorianism” (with Susanne Gruss). Spectacles and Things: Visual and Material Culture and/in Neo-Victorianism. Eds. Nadine Boehm-Schnitker and Susanne Gruss. Neo-Victorian Studies 4.2 (2011), 1-23.

“Dislocated Voices and Identity under (Re-)Construction”. Anglistentag 2010 Saarbrücken: Proceedings. Eds. Joachim Frenk and Lena Steveker. Trier: wvt, 2011, 123-34.

Harry Potter and the Prisoner of Azkaban (2004), or How Harry Potter Becomes a Hero”. Heroism in J.K. Rowling’s Harry Potter. Eds. Katrin Berndt and Lena Steveker. Aldershot: Ashgate, 2010, 123-38.

“Heimsuchungen: Religiöses Wissen als Skript für das Horrorgenre”. Religious Turns – Turning Religions: Veränderte kulturelle Diskurse – neue religiöse Wissensformen. Eds. Andreas Nehring and Joachim Valentin. Stuttgart: Kohlhammer, 2008, 261-80.

“‘I am leaving myself to you… You will understand or you won’t.’ Jackie Kays Trumpet (1998) als Inszenierung hermeneutischer Ethik”. Kulturhermeneutik: Interdisziplinäre Beiträge zum Umgang mit kultureller Differenz. Eds. Christoph Ernst, Walter Sparn, Hedwig Wagner. München: Fink, 2008, 429-53.*

“Einleitung: Religion, Ethik, Medien. Kulturhermeneutik interdisziplinär” (with Mihai Grigore, Andreas Nehring, Vadim Zhdanov). Kulturhermeneutik. Eds. Christoph Ernst et al. München: Fink, 2008, 401-5.

“‘Postkoloniale Übersetzung als kulturhermeneutisches Projekt’: Zur Übertragung von Spivaks A Critique of Postcolonial Reason ins Deutsche” (with Barbara Gabel-Cunningham, Doris Feldmann, Christian Krug, Andreas Nehring, Sabine Nunius). Kulturhermeneutik. Eds. C. Ernst et al. München: Fink, 2008, 519-38.

“Einleitung: Verschieden Übersetzen” (with Urs Espeel, Doris Feldmann, Christian Krug, Andreas Nehring, Helen Zhang). Kulturhermeneutik. Eds. C. Ernst et al. München: Fink, 2008, 491-4.

 

Entries in Reference Works

“Alterität”, “Fremdheit”, “Identität” (with Doris Feldmann). Lexikon interkulturelle Bibelhermeneutik. Eds. O. Wischmeyer et al. Berlin und New York: de Gruyter, 2009, 10-11, 186, 275-6.

Reviews

“Amy C. Smith. Virginia Woolf’s Mythic Method. Columbus: The Ohio State University Press, 2022, x + 160 pp.”. Anglistik 34, 1 (2023), 235-237.

“John Storey (2022), Consuming Utopia: Cultural Studies and the Politics of Reading, New York: Routledge, 130 pp., £36.99, ISBN 978-1-00-301058-6 (e-book)”. Journal for the Study of British Cultures 30, 2 (2023), 261-265.

“Ralph-Miklas Dobler, Silke Järvenpää, Rainer E. Zimmermann, eds., (2018), Signifikant: Jahrbuch für Strukturwandel und Diskurs, Bd. 1: Öffentlichkeit im digitalen Zeitalter”. Journal for the Study of British Cultures 27, 2 (2020), 217-219.

“Eike Kronshage (2018), Vision and Character: Physiognomics and the English Realist Novel”. Journal for the Study of British Cultures 2 (2019), 229-232.

“Neo-Victorian Humour: Comic Subversions and Unlaughter in Contemporary Historical Re-Visions. Edited by Marie-Luise Kohlke and Christian Gutleben”. Cercles (15 Jan 2019), http://www.cercles.com/review/r85/Kohlke.html.

“Jürgen Kramer & Claus-Ulrich Viol, Eds. (2017), Psychoanalysis in Cultural Studies – Positions, Perspectives and Proposals (special issue), Psychoanalysis, Culture & Society 22.3, € 119.00, ISSN 1088-0763”. Journal for the Study of British Cultures 24.2 (2018), 214-18 .

“Neo-Victorian Negotiations of Agency and Disability: Review of Helen Davies, Neo-Victorian Freakery: The Cultural Afterlife of the Victorian Freak Show”. Neo-Victorian Studies 11.1 (2018), 229-37.

“Sabine Schülting (2016), Dirt in Victorian Literature and Culture: Writing Materiality”. Journal for the Study of British Cultures 23.1 (2017), 82-85.

“Greta Olson (2013), Criminals as Animals from Shakespeare to Lombroso”. Journal for the Study of British Cultures21.2 (2015), 232-5.

“Wildean Influences, Legacies, or Neo-Victorian Afterlives? Review of Annette M. Magid (ed.), Wilde’s Wiles: Studies of the Influences on Oscar Wilde and His Enduring Influences in the Twenty-First Century”. Neo-Victorian Studies 7.1 (2014), 158-64.

“Dickens and Mass Culture” (with Doris Feldmann). English Studies 94.6 (2013), 743-4.

“The Canon, the Fan, and the Academic: Review of Sabine Vanacker and Catherine Wynne (eds.), Sherlock Holmes and Conan Doyle: Multi-Media Afterlives”. Neo-Victorian Studies 5.2 (2012), 217-27.

“Quo Vadis, Geschlechterforschung? Polyphonie und Richtungsweisung in den Gender Studies”, http://iasl.uni-muenchen.de/rezensio/liste/Boehm9783897412064_2516.html.